{"id":282,"date":"2024-09-24T15:32:40","date_gmt":"2024-09-24T13:32:40","guid":{"rendered":"https:\/\/avenir-occitanisme.org\/?page_id=282"},"modified":"2024-12-31T11:30:45","modified_gmt":"2024-12-31T10:30:45","slug":"autrices-auteurs","status":"publish","type":"page","link":"https:\/\/avenir-occitanisme.org\/index.php\/sitographie-bibliographie-filmographie-du-mouvement-occitaniste\/autrices-auteurs\/","title":{"rendered":"Autrices-Auteurs"},"content":{"rendered":"<p>&nbsp;<\/p>\r\n<p>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<span style=\"font-size: 14pt;\"><strong><span style=\"color: #800000;\">Claude ALRANQ dramaturge, metteur en sc\u00e8ne, com\u00e9dien\u00a0<\/span><\/strong><\/span><\/p>\r\n<p>https:\/\/fr.wikipedia.org\/wiki\/Claude_Alranq<\/p>\r\n<p><strong>Une quarantaine de pi\u00e8ces<\/strong> <strong>de th\u00e9\u00e2tre<\/strong> publi\u00e9es aux <a title=\"Nouvelles \u00c9ditions Oswald\" href=\"https:\/\/fr.wikipedia.org\/wiki\/Nouvelles_%C3%89ditions_Oswald\">Nouvelles \u00c9ditions Oswald<\/a>,\u00a0<a title=\"Actes Sud\" href=\"https:\/\/fr.wikipedia.org\/wiki\/Actes_Sud\">Actes Sud<\/a>, Quatre Vertats, Avant-Quart<\/p>\r\n<ul>\r\n<li><em><strong>Th\u00e9\u00e2tre All\u00e9luia Mill\u00e9nium<\/strong><\/em> (1999)<\/li>\r\n<li><em><strong>H\u00f4tel Montmorency<\/strong><\/em> (1993)<\/li>\r\n<li><em><strong>Jaur\u00e8s<\/strong><\/em> (1995)<\/li>\r\n<li><em><strong>Joan l&rsquo;an pr\u00e8s<\/strong><\/em> (1987)<\/li>\r\n<li><em><strong>Jouerie du Pays d&rsquo;Adiu.siatz<\/strong><\/em> (2001)<\/li>\r\n<li><em><strong>L&rsquo;Africanade<\/strong><\/em> (1992)<\/li>\r\n<li><em><strong>L&rsquo;Armassier<\/strong><\/em> (2000)<\/li>\r\n<li><em><strong>L&rsquo;Asile Brancoverne<\/strong><\/em> (1993)<\/li>\r\n<li><em><strong>L&rsquo;Autre Jaur\u00e8s<\/strong><\/em> (1994)<\/li>\r\n<li><em><strong>La B\u00e2tarde du canal du Midi<\/strong> <\/em>(1999)<\/li>\r\n<li><em><strong>La B\u00eate en G\u00e9vaudan<\/strong><\/em> (1981)<\/li>\r\n<li><em><strong>La Cocarde d&rsquo;\u00e9b\u00e8ne<\/strong><\/em> (1989)<\/li>\r\n<li><em><strong>La Commune de Marseille<\/strong><\/em> (1980)<\/li>\r\n<li><em><strong>La Croix de Toulouse<\/strong><\/em> (1989)<\/li>\r\n<li><em><strong>La Fille d&rsquo;Occitania<\/strong><\/em> (1978)<\/li>\r\n<li><em><strong>La Guerre du Vin<\/strong><\/em> (1972)<\/li>\r\n<li><em><strong>La Libert\u00e9 ou la mort<\/strong><\/em> (1976)<\/li>\r\n<li><em><strong>La Pastorale de Fos<\/strong><\/em> (1975)<\/li>\r\n<li><em><strong>Langue de Peille 1-2-3<\/strong><\/em> (1984 &#8211; 1988)<\/li>\r\n<li><em><strong>Le Cirque Imp\u00e9rial<\/strong><\/em> (1980)<\/li>\r\n<li><em><strong>Le C\u0153ur aux dents<\/strong><\/em> (1986)<\/li>\r\n<li><em><strong>Le Mineur du ciel<\/strong><\/em> (1989)<\/li>\r\n<li><em><strong>Le String Security<\/strong><\/em> (2003)<\/li>\r\n<li><em><strong>Le Vent aux 13 masques<\/strong><\/em> (2001)<\/li>\r\n<li><em><strong>Mort et R\u00e9surrection de M. Occitania<\/strong><\/em> (1970)<\/li>\r\n<li><em><strong>Nuit d&rsquo;\u00e9t\u00e9<\/strong><\/em> (1988)<\/li>\r\n<li><em><strong>Retour au Pays<\/strong><\/em> (1981)<\/li>\r\n<li><em><strong>Salut \u00e0 Vous braves pioupious du\u00a0<abbr class=\"abbr\" title=\"Dix-septi\u00e8me\">17<sup>e<\/sup><\/abbr><\/strong><\/em>\u00a0(1991)<\/li>\r\n<li><em><strong>Santa Marianna du Cassoulet<\/strong><\/em> (1992)<\/li>\r\n<li><em><strong>Si ton th\u00e9\u00e2tre pouvait parler<\/strong><\/em> (1996)<\/li>\r\n<li><em><strong>Tabo ou la derni\u00e8re Sainte Barbe<\/strong><\/em> (1974)<\/li>\r\n<li><em><strong>Titole et la Folle d&rsquo;Halloween<\/strong><\/em> (2002)<\/li>\r\n<li><em><strong>Vaudeville d&rsquo;Oc<\/strong><\/em> (1997)<\/li>\r\n<li><em><strong>L&rsquo;Estanquette<\/strong><\/em> (2011)<\/li>\r\n<li><em><strong>Sem Forc\u00e0<\/strong><\/em> (2012)<\/li>\r\n<\/ul>\r\n<div class=\"mw-heading mw-heading2\">\r\n<h2 id=\"Essais\"><span style=\"font-size: 12pt;\">Essais<\/span><\/h2>\r\n<\/div>\r\n<ul>\r\n<li><em><strong>Th\u00e9\u00e2tre d&rsquo;Oc contemporain<\/strong><\/em>, \u00c9ditions Domens<\/li>\r\n<li><em><strong>Les Animaux de la f\u00eate occitane, Les totems Sud de France,<\/strong><\/em> Editions du Mont, L\u00e9gend&rsquo;, Cazouls-les-B\u00e9ziers, avril 2008<\/li>\r\n<\/ul>\r\n<p>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<span style=\"color: #0000ff;\"> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;<\/span><\/p>\r\n<h3><span style=\"color: #800000;\"><strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Franc BARDOU<\/strong> <strong>po\u00e8te bilingue<\/strong><\/span><\/h3>\r\n<!-- \/wp:post-content -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong>Bio-bibliographi<\/strong>e<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/www.occitanielivre.fr\/annuaire\/bardou-franc\">https:\/\/www.occitanielivre.fr\/annuaire\/bardou-franc<\/a><\/span><\/p>\r\n<p><span style=\"color: #0000ff;\"><!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph --><\/span><\/p>\r\n<p><span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/www.linkedin.com\/in\/franc-bardou-24389557\/?originalSubdomain=fr\">https:\/\/www.linkedin.com\/in\/franc-bardou-24389557\/?originalSubdomain=fr<\/a><\/span><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong>Recueils de po\u00e8mes<\/strong><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><em>1) <\/em><strong><em>Filh del C\u00e8<\/em><\/strong><strong><em>r\u00e7 I &#8211; Naissen\u00e7a<\/em><\/strong>, (Po\u00e8mas en occitan) Toulouse, Gai Saber, 1995, 56 p.<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><em>2) <\/em><strong><em>Cant del C\u00e8<\/em><\/strong><strong><em>r\u00e7 <\/em><\/strong><strong><em>I &#8211; Musicalas<\/em><\/strong>, (Po\u00e8mas en occitan) Puylaurens, col. Messatge, IDECO, 1996, 56 p.<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><em>3) <strong>D&rsquo;ara enl\u00e0<\/strong><\/em>, (Nov\u00e8las en occitan) Puylaurens, col. A Tots, IDECO, 1999, 268 p.<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><em>4) <strong>La Crida<\/strong><\/em>, (Po\u00e8mas en occitan) Puylaurens, col. Messatge, IDECO, 2003, 72 p.<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><em>5) <\/em><strong><em>La nu\u00e8<\/em><\/strong><strong><em>it folzejada<\/em><\/strong>, (Roman en occitan) Puylaurens, col. A Tots, IDECO, 2003, 232 p.<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><em>5<\/em><em>\u2019<\/em><em>) <\/em><strong><em>La nit fulminada<\/em><\/strong>, traduction en catalan de <em>La nu\u00e8<\/em><em>it Folzejada<\/em> par Manel Zabala, Barcelona, Ed. l\u2019\u00cdndex, 2004.<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><em>6) <strong>Atl\u00e0<\/strong><\/em><strong><em>s londanh<\/em><\/strong><em>,<\/em> Toulouse, (Pr\u00f2sa po\u00ebtica en occitan) Gai Saber, 2006, 72 p.<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><em>7) <strong>Qualques balas dins la p<\/strong><\/em><strong><em>\u00e8<\/em><\/strong><strong><em>l<\/em><\/strong> (Nov\u00e8las)<em>, <\/em>\u00e9dition bilingue avec traduction en fran\u00e7ais de l&rsquo;auteur, Toulouse, Revista \u00d2C, 2009, 62 p.<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><em>8) <strong>L&rsquo;arbre de m<\/strong><\/em><strong><em>\u00e8<\/em><\/strong><strong><em>l<\/em><\/strong>, (Po\u00e8mas en occitan) \u00e9dition bilingue avec traduction en fran\u00e7ais de l&rsquo;auteur, En\u00e8rgas, Vent Terral, 2010, 126 p.<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><em>9) <strong>F\u00f2<\/strong><\/em><strong><em>c als u<\/em><\/strong><strong><em>\u00e8lhs ai set de brasas<\/em><\/strong>, (Po\u00e8mas en occitan) \u00e9dition bilingue avec traduction en fran\u00e7ais de l\u2019auteur, textes accompagn\u00e9s d\u2019illustrations de l\u2019auteur, Corsan, Tr\u00f2baVox, col. <em>Votz de Trobar<\/em>, n\u00b01, 2013, 54\u00a0p.<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><em>10) <strong>Lai ont non l&rsquo;esperavas pas<\/strong><\/em>, (Po\u00e8mas en occitan) \u00e9dition bilingue avec traduction en fran\u00e7ais de l\u2019auteur, textes accompagn\u00e9s d\u2019illustrations de l\u2019auteur, Corsan, Tr\u00f2baVox, col. <em>Votz de Trobar<\/em>, n\u00b02, 2013, 70\u00a0p.<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><em>11) <strong>Can\u00e7<\/strong><\/em><strong><em>oni\u00e8<\/em><\/strong><strong><em>r d<\/em><\/strong><strong><em>\u2019<\/em><\/strong><strong><em>un temps esperdut<\/em><\/strong>, (Po\u00e8mas en occitan) \u00e9dition bilingue avec traduction en fran\u00e7ais de l\u2019auteur, Corsan, Tr\u00f2baVox, col. <em>Votz de Trobar<\/em>, n\u00b03, 2016, 74 p.<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><em>12) <strong>Nocturnal d&rsquo;erran\u00e7a<\/strong><\/em>, (Po\u00e8mas en occitan) \u00e9dition bilingue avec traduction en fran\u00e7ais de l\u2019auteur, Corsan, Tr\u00f2baVox, col. <em>Votz de Trobar<\/em>, n\u00b010, 2017, 472 p.<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><em>13) <strong>Mant<\/strong><\/em><strong><em>\u00e8<\/em><\/strong><strong><em>ls d&rsquo;exili<\/em><\/strong>, (Po\u00e8mas en occitan) \u00e9dition bilingue avec traduction en fran\u00e7ais de l\u2019auteur, Corsan, Tr\u00f2baVox, col. <em>Votz de Trobar<\/em>, n\u00b014, 2018, 36 p.<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><em>14) <\/em><strong><em>Lo D<\/em><\/strong><strong><em>\u00eev\u00e2<\/em><\/strong><strong><em>n de ma Sobeirana<\/em><\/strong>, (Po\u00e8mas en occitan) \u00e9dition bilingue avec traduction en fran\u00e7ais de l\u2019auteur, Corsan, Tr\u00f2baVox, col. <em>Votz de Trobar<\/em>, n\u00b015, 2019, 268 p.<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><em>15) <\/em><strong><em>Recoltar<\/em><\/strong><strong><em>\u00e0s <\/em><\/strong><strong><em>\u00e7\u00f2 <\/em><\/strong><strong><em>que semenas<\/em><\/strong>, (Po\u00e8mas en occitan) \u00e9dition bilingue avec traduction en fran\u00e7ais de l\u2019auteur, Corsan, Tr\u00f2baVox, col. <em>Votz de Trobar<\/em>, n\u00b020, 2019, 168 p.<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><em>16) <strong>Sextant de V<\/strong><\/em><strong><em>\u00e8<\/em><\/strong><strong><em>rses<\/em><\/strong>, (Antologia de sextinas en occitan), \u00e9dition bilingue avec traduction en fran\u00e7ais de l\u2019auteur, Corsan, Tr\u00f2baVox, col. <em>Votz de Trobar<\/em>, n\u00b024, 2020, 72 p.<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><em>17) <\/em><strong><em>Cronicas demiurgicas &#8211; Volume 1, Memorial poetic de T<\/em><\/strong><strong><em>\u00e8<\/em><\/strong><strong><em>rraf\u00f2rt<\/em><\/strong> (Po\u00e8mas en occitan) \u00e9dition bilingue avec traduction en fran\u00e7ais de l\u2019auteur, Corsan, Tr\u00f2baVox, col. <em>Votz de Trobar<\/em>, n\u00b025, 2020, 158 p.<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><em>18) <\/em><strong><em>Cronicas demiurgicas &#8211; Volume 2, Memorial poetic de T<\/em><\/strong><strong><em>\u00e8<\/em><\/strong><strong><em>rraf\u00f2rt<\/em><\/strong> (Po\u00e8mas en occitan) \u00e9dition bilingue avec traduction en fran\u00e7ais de l\u2019auteur, Corsan, Tr\u00f2baVox, col. <em>Votz de Trobar<\/em>, n\u00b026, 2020, 148 p.<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><em>19) <\/em><strong><em>Cronicas demiurgicas &#8211; Volume 3, Memorial poetic de T<\/em><\/strong><strong><em>\u00e8<\/em><\/strong><strong><em>rraf\u00f2rt<\/em><\/strong> (Po\u00e8mas en occitan) \u00e9dition bilingue avec traduction en fran\u00e7ais de l\u2019auteur, Corsan, Tr\u00f2baVox, col. <em>Votz de Trobar<\/em>, n\u00b027, 2020, 148 p.<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><em>20) <strong>Man dins lo c<\/strong><\/em><strong><em>\u00e8l aganti l<\/em><\/strong><strong><em>\u2019<\/em><\/strong><strong><em>astre, Volume 1, Alandat<\/em><\/strong>, (Po\u00e8mas en occitan) \u00e9dition bilingue avec traduction en fran\u00e7ais de l\u2019auteur, Corsan, Tr\u00f2baVox, col. <em>Votz de Trobar<\/em>, n\u00b032, 2021, 188 p.<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><em>21) <strong>Man dins lo c<\/strong><\/em><strong><em>\u00e8l aganti l<\/em><\/strong><strong><em>\u2019<\/em><\/strong><strong><em>astre, Volume 2, L&rsquo;Esfinge<\/em><\/strong>, (Po\u00e8mas en occitan) \u00e9dition bilingue avec traduction en fran\u00e7ais de l\u2019auteur, Corsan, Tr\u00f2baVox, col. <em>Votz de Trobar<\/em>, n\u00b033, 2021, 150 p.<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><em>22) <strong>Man dins lo c<\/strong><\/em><strong><em>\u00e8l aganti l<\/em><\/strong><strong><em>\u2019<\/em><\/strong><strong><em>astre, Volume 3, Lo Silenci<\/em><\/strong>, (Po\u00e8mas en occitan) \u00e9dition bilingue avec traduction en fran\u00e7ais de l\u2019auteur, Corsan, Tr\u00f2baVox, col. <em>Votz de Trobar<\/em>, n\u00b034, 2021, 100 p.<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><em>23) <\/em><strong><em>Dins tos braces<\/em><\/strong>, (Po\u00e8mas en occitan) \u00e9dition bilingue avec traduction en fran\u00e7ais de l\u2019auteur, Corsan, Tr\u00f2baVox, col. <em>Votz de Trobar<\/em>, n\u00b035, 2021, 174 p.<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><em>24) <\/em><strong><em>Lo jorn<\/em><\/strong>, (Po\u00e8mas en occitan) \u00e9dition bilingue avec traduction en fran\u00e7ais de l\u2019auteur, Corsan, Tr\u00f2baVox, col. <em>Votz de Trobar<\/em>, n\u00b036, 2021, 130 p.<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><em>25) <\/em><strong><em>Cronicas demiurgicas, Volume 4, Estat d<\/em><\/strong><strong><em>\u2019<\/em><\/strong><strong><em>urg\u00e9<\/em><\/strong><strong><em>ncia poetica<\/em><\/strong>, (Po\u00e8mas en occitan) \u00e9dition bilingue avec traduction en fran\u00e7ais de l\u2019auteur, Corsan, Tr\u00f2baVox, col. <em>Votz de Trobar<\/em>, n\u00b037, 2021, 180 p.<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p>26) <strong><em>La nu\u00e8it<\/em><\/strong> (Po\u00e8mas en occitan) \u00e9dition bilingue avec traduction en fran\u00e7ais de l\u2019auteur, Corsan, Tr\u00f2baVox, col. <em>Votz de Trobar<\/em>, n\u00b042, 2022, 170 p.<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p>27) <strong><em>Cronicas demiurgicas, Volume <\/em><\/strong><strong><em>5, La t\u00e8rra de la servitud<\/em><\/strong> (Po\u00e8mas en occitan) \u00e9dition bilingue avec traduction en fran\u00e7ais de l\u2019auteur, Corsan, Tr\u00f2baVox, col. <em>Votz de Trobar<\/em>, n\u00b046, 2022, 186 p.<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p>28) <strong><em>Lusents e f\u00f2ls<\/em><\/strong> (Po\u00e8mas en occitan) \u00e9dition bilingue avec traduction en fran\u00e7ais de l\u2019auteur, Corsan, Tr\u00f2baVox, col. <em>Votz de Trobar<\/em>, n\u00b045, 2022, 258 p.<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p>29) <strong><em>Cosmogonia &#8211; Pensar aqueste mond<\/em><\/strong> (Po\u00e8mas en occitan) \u00e9dition bilingue avec traduction en fran\u00e7ais de l\u2019auteur, Corsan, Tr\u00f2baVox, col. <em>Votz de Trobar<\/em>, n\u00b044, 2022, 112 p.<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p>30) <strong><em>Tu que l\u2019as vista<\/em><\/strong> (Po\u00e8mas en occitan) \u00e9dition bilingue avec traduction en fran\u00e7ais de l\u2019auteur, Corsan, Tr\u00f2baVox, col. <em>Votz de Trobar<\/em>, n\u00b043, 2022, 80 p.<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p>31) <strong><em>Casuda al fons del temps<\/em><\/strong> (Po\u00e8mas en occitan) \u00e9dition bilingue avec traduction en fran\u00e7ais de l\u2019auteur, Corsan, Tr\u00f2baVox, col. <em>Votz de Trobar<\/em>, n\u00b050, 2023, 110 p.<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p>32) <strong><em>Aragon, t\u2019ai vist<\/em><\/strong> (Po\u00e8mas en occitan e fotografias) \u00e9dition bilingue avec traduction en fran\u00e7ais et photographies de l\u2019auteur, Corsan, Tr\u00f2baVox, col. <em>Votz de Trobar<\/em>, n\u00b051, 2023, 132 p.<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p>33) <strong><em>Roergue d\u2019Amor<\/em><\/strong> (Po\u00e8mas en occitan e fotografias) \u00e9dition bilingue avec traduction en fran\u00e7ais et photographies de l\u2019auteur, Corsan, Tr\u00f2baVox, col. <em>Votz de Trobar<\/em>, n\u00b052, 2023, 132 p.<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p>34) <strong><em>L\u2019\u00e0ngel que renais<\/em><\/strong> (Po\u00e8mas en occitan de P. Kamakine e F. Bard\u00f2u amb fotografias) \u00e9dition bilingue avec traduction en fran\u00e7ais des auteurs et photographies de F. Bard\u00f2u, Corsan, Tr\u00f2baVox, col. <em>Votz de Trobar<\/em>, n\u00b054, 2023, 144 p.<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p>35) <strong><em>Soms<\/em><\/strong> (Po\u00e8mas en occitan e fotografias) \u00e9dition bilingue avec traduction en fran\u00e7ais et photographies de l\u2019auteur, Corsan, Tr\u00f2baVox, col. <em>Votz de Trobar<\/em>, n\u00b057, 2023, env. 168 p.<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p>36) <strong><em>Alexitimia<\/em><\/strong> (Po\u00e8mas en occitan e fotografias) \u00e9dition bilingue avec traduction en fran\u00e7ais et photographies de l\u2019auteur, Corsan, Tr\u00f2baVox, col. <em>Votz de Trobar<\/em>, n\u00b058, 2023, env. 94 p.<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p>37) <strong><em>Del sulhet lo dardalh<\/em><\/strong> (Po\u00e8mas en occitan e fotografias) \u00e9dition bilingue avec traduction en fran\u00e7ais et photographies de l\u2019auteur, Corsan, Tr\u00f2baVox, col. <em>Votz de Trobar<\/em>, n\u00b0?, 2024, 206 p.<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p>\u00e0 para\u00eetre prochainement \/ per par\u00e9isser l\u00e8u<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p>38) <strong><em>T\u00e8rra mairala \u2014 Contemplacions<\/em><\/strong> (Po\u00e8mas en occitan e fotografias) \u00e9dition bilingue avec traduction en fran\u00e7ais et photographies de l\u2019auteur, Corsan, Tr\u00f2baVox, col. <em>Votz de Trobar<\/em>, n\u00b0?, 2024, env. 196 p.<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p>39) <strong><em>Portals \u2014 Lo po\u00e8ma es un portal<\/em><\/strong> (Po\u00e8mas en occitan e fotografias) \u00e9dition bilingue avec traduction en fran\u00e7ais et photographies de l\u2019auteur, Corsan, Tr\u00f2baVox, col. <em>Votz de Trobar<\/em>, n\u00b0?, 2024, 138 p.<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p>40) <strong><em>Autopertrait per un jardin<\/em><\/strong> (Po\u00e8mas en occitan e fotografias) \u00e9dition bilingue avec traduction en fran\u00e7ais et photographies de l\u2019auteur, Corsan, Tr\u00f2baVox, col. <em>Votz de Trobar<\/em>, n\u00b0?, 2024, 138 p.<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p>41) <strong><em>Catalonha, t\u2019ai somniada<\/em><\/strong> (Po\u00e8mas en occitan e fotografias) \u00e9dition bilingue avec traduction en fran\u00e7ais et photographies de l\u2019auteur, Corsan, Tr\u00f2baVox, col. <em>Votz de Trobar<\/em>, n\u00b0?, 2025, env. 196 p.<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p>41) <strong><em>Los astres b\u00e8ls de son tornar<\/em><\/strong> (Po\u00e8mas en occitan e fotografias) \u00e9dition bilingue avec traduction en fran\u00e7ais et photographies de l\u2019auteur, Corsan, Tr\u00f2baVox, col. <em>Votz de Trobar<\/em>, n\u00b0?, 2025, env. 200 p.<\/p>\r\n<p><span style=\"color: #0000ff;\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 &#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<\/span><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<span style=\"color: #800000; font-size: 14pt;\"><strong> \u00a0 Rose BLIN MIOCH essayiste<\/strong><\/span><\/p>\r\n<p><strong><em>Femmes rebelles d\u2019oc<\/em><\/strong> (Editions l\u2019auc\u00e8u Libre, 2024)<br \/><span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/www.decouvertes-occitanes.fr\/fr\/nouveautes\/2029-femmes-rebelles-d-oc-rose-blin-mioch-9782917111871.html\">https:\/\/www.decouvertes-occitanes.fr\/fr\/nouveautes\/2029-femmes-rebelles-d-oc-rose-blin-mioch-9782917111871.html<\/a><\/span><\/p>\r\n<p>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<span style=\"color: #0000ff;\"> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<\/span><\/p>\r\n<p>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <span style=\"font-family: georgia, palatino, serif; font-size: 14pt;\">\u00a0 \u00a0<span style=\"color: #800000;\"><strong>Catherine BONAFE com\u00e9dienne<\/strong><\/span><\/span><\/p>\r\n<p><em><strong>R\u00e9surgences -1971 &#8211; 1986. <span style=\"color: #000000;\">Quinze ann\u00e9es au Teatre de la Carri\u00e8ra <\/span><\/strong><\/em><span style=\"color: #000000;\"><span style=\"color: #0000ff;\"><span style=\"color: #000000;\">(2023, <\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"mailto:catherine.bonafe@gmail.com\" target=\"_blank\" rel=\"noopener\">catherine.bonafe@gmail.com<\/a><\/span><\/span><span style=\"color: #000000;\"><a style=\"color: #000000;\" href=\"mailto:catherine.bonafe@gmail.com\" target=\"_blank\" rel=\"noopener\">)<\/a><\/span><span style=\"color: #000000;\"><br \/><\/span><span style=\"color: #000000;\"><span style=\"color: #0000ff;\">https:\/\/www.oc-cultura.eu\/agenda\/resurgence-lecture-rencontre-avec-catherine-bonafe\/<\/span><\/span><\/p>\r\n<p><span style=\"color: #0000ff;\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 &#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<\/span><\/p>\r\n<p>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<span style=\"color: #800000; font-size: 14pt;\"> \u00a0 \u00a0 \u00a0<strong> \u00a0 \u00a0 Marie-H\u00e9l\u00e8ne BONAFE com\u00e9dienne et essayiste<\/strong><\/span><\/p>\r\n<h1 class=\"product_title entry-title\"><em><span style=\"font-size: 12pt;\">Bernard Manciet : la voix d\u2019une \u0153uvre, <\/span><\/em><span style=\"font-size: 12pt;\">(collectif), <a href=\"https:\/\/www.libraria-occitana.org\/editeur\/les-presses-du-languedoc\/\">Les Presses du Languedoc, <\/a><a href=\"https:\/\/www.libraria-occitana.org\/editeur\/theatre-des-13-vents\/\">Th\u00e9\u00e2tre des 13 vents<\/a>, 1998.<\/span><br \/><span style=\"font-size: 12pt;\"><a href=\"https:\/\/www.libraria-occitana.org\/produit\/bernard-manciet-la-voix-dune-oeuvre\/\">https:\/\/www.libraria-occitana.org\/produit\/bernard-manciet-la-voix-dune-oeuvre\/<\/a><\/span><\/h1>\r\n<h1 class=\"product_title entry-title\"><span style=\"font-size: 12pt;\"><em>Jan dau Melhau po\u00e8te paysan-pa\u00efen<\/em><strong>(<a class=\"auteur\" title=\"Collectiu\" href=\"https:\/\/www.libraria-occitana.org\/auteur\/collectiu\">collectif), <\/a><\/strong><\/span><strong><span style=\"font-size: 12pt;\"><a title=\"Auteurs en sc\u00e8ne\" href=\"https:\/\/www.libraria-occitana.org\/editeur\/auteurs-en-scene\/\">Auteurs en sc\u00e8ne, <\/a><a title=\"Les Presses du Languedoc\" href=\"https:\/\/www.libraria-occitana.org\/editeur\/les-presses-du-languedoc\/\">Les Presses du Languedoc (2001)<\/a><br \/>https:\/\/www.libraria-occitana.org\/produit\/jan-dau-melhau-poete-paysan-paien\/<\/span><\/strong><\/h1>\r\n<h1 class=\"product_title entry-title\"><em><span style=\"font-size: 12pt;\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <span style=\"color: #0000ff;\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;<\/span><\/span><\/em><\/h1>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<h3><span style=\"color: #800000;\"><strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Martine BOUDET<\/strong> <strong>essayiste et didacticienne<\/strong><\/span><\/h3>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong>Bio-bibliographie g\u00e9n\u00e9rale<br \/><\/strong><span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/www.occitanielivre.fr\/annuaire\/boudet-martine\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.occitanielivre.fr\/annuaire\/boudet-martine<\/a> <a style=\"color: #0000ff;\" href=\"https:\/\/france.attac.org\/auteur\/martine-boudet\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/france.attac.org\/auteur\/martine-boudet<\/a><\/span><\/p>\r\n<p><strong>Bibliographie\u00a0occitaniste\/r\u00e9gionaliste<\/strong><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph \/-->\r\n\r\n<!-- wp:paragraph -->\r\n<p><em><strong>L\u2019embl\u00e9matique des r\u00e9gions de France<\/strong><\/em>\u00a0(Paris, Panth\u00e9on, 2023) Avec le soutien de la facult\u00e9 Soci\u00e9t\u00e9s &amp; Humanit\u00e9s, Universit\u00e9 Paris\u00a0Cit\u00e9 (Laboratoire de recherche\u00a0CLILLAC-ARP UR 3967).<br \/><span style=\"color: #0000ff;\"> <a style=\"color: #0000ff;\" href=\"https:\/\/www.editions-pantheon.fr\/catalogue\/lemblematique-des-regions-de-france\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.editions-pantheon.fr\/catalogue\/lemblematique-des-regions-de-france\/<\/a><\/span><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><em><strong>Les langues-cultures moteurs de d\u00e9mocratie et de d\u00e9veloppement<\/strong><\/em>\u00a0(direction, Le Croquant, 2019) Participation de la DGLFLF\/ Direction de la langue fran\u00e7aise et des langues de France et du Carrefour culturel Arnaud Bernard (Toulouse)<br \/><span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/editions-croquant.org\/sociologie-historique\/550-les-langues-cultures.html\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/editions-croquant.org\/sociologie-historique\/550-les-langues-cultures.html<\/a><\/span><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><em><strong>Les hymnes et chants identitaires du grand sud<\/strong><\/em>\u00a0(Toulouse, IDECO, 2009) Prim\u00e9 par l\u2019Acad\u00e9mie des jeux floraux de Toulouse (2010) <span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/ideco-dif.com\/ieo_edicions\/textes_et_documents\/les_hymnes_et_chants_identitaires_du_grand_sud\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/ideco-dif.com\/ieo_edicions\/textes_et_documents\/les_hymnes_et_chants_identitaires_du_grand_sud\/<\/a><\/span><\/p>\r\n<p><em> <strong>Les femmes et le f\u00e9minin en terre d&rsquo;Oc et au F\u00e9librige<\/strong><\/em>\u00a0(co-direction, Aix-en-Provence, Editions du F\u00e9librige, 2023) <span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"http:\/\/www.felibrige.org\/2022\/03\/les-femmes-et-le-feminin-en-terre-doc-et-au-felibrige\/\" target=\"_blank\" rel=\"noreferrer noopener\">http:\/\/www.felibrige.org\/2022\/03\/les-femmes-et-le-feminin-en-terre-doc-et-au-felibrige\/<\/a><\/span><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><em><strong>Parit\u00e9 occitane<\/strong> <\/em>(blog) <br \/><span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/pariteoccitane.wordpress.com\/\">https:\/\/pariteoccitane.wordpress.com\/<\/a><\/span><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><span style=\"color: #ff0000;\">&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<\/span><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong>Essais altermondialistes et en mati\u00e8re de politique \u00e9ducative et de recherche<\/strong><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><em><strong>Le syst\u00e8me \u00e9ducatif \u00e0 l&rsquo;heure de la soci\u00e9t\u00e9 de la connaissance<\/strong> <\/em>(Co-direction, Toulouse, Presses Universitaires du Mirail, 2014) Pr\u00e9face de Philippe Meirieu<br \/><span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/pum.univ-tlse2.fr\/produit\/le-systeme-educatif-a-lheure-de-la-societe-de-la-connaissance\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/pum.univ-tlse2.fr\/produit\/le-systeme-educatif-a-lheure-de-la-societe-de-la-connaissance\/<\/a><a style=\"color: #0000ff;\" href=\"http:\/\/pum.univ-tlse2.fr\/~Le-systeme-educatif-a-l-heure-de~.htmlhttps:\/f-origin.hypotheses.org\/wp-content\/blogs.dir\/148\/files\/2014\/11\/Flyer_Systeme-educatif_oct2014.pdf\">https:\/\/f-origin.hypotheses.org\/wp-content\/blogs.dir\/148\/files\/2014\/11\/Flyer_Systeme-educatif_oct2014.pdf<\/a><\/span><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong><em>SOS Ecole Universit\u00e9 \u2013Pour un syst\u00e8me \u00e9ducatif d\u00e9mocratique<\/em> <\/strong>(direction, Le Croquant, 2020) Avec le soutien de l\u2019Institut de recherche de la FSU &#8211; Chapitres de responsables de la FSU, du SNES, du SNUIPP, du SNESUP, du SNPI, de la CGT, du groupe Jean-Pierre Vernant\u2026 <br \/><span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/editions-croquant.org\/hors-collection\/609-sos-ecole-universite-pour-un-systeme-educatif-democratique.html\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/editions-croquant.org\/hors-collection\/609-sos-ecole-universite-pour-un-systeme-educatif-democratique.html<\/a><\/span><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong><em>Urgence antiraciste \u2013Pour une d\u00e9mocratie inclusive<\/em>&#8211;<\/strong>(direction, Ed du Croquant, 2017) Avec la participation de responsables antiracistes et altermondialistes<br \/><span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/editions-croquant.org\/hors-collection\/384-urgence-antiraciste.html\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/editions-croquant.org\/hors-collection\/384-urgence-antiraciste.html<\/a><em>\u00a0<\/em><\/span><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><em><strong>R\u00e9sistances africaines \u00e0 la domination n\u00e9o-coloniale<\/strong><\/em> (direction, Le croquant, 2021) Chapitres d\u2019Aminata Traor\u00e9, de Sa\u00efd Bouamama,\u00a0 de Kako Nubukpo, de Gus Massiah&#8230;<br \/><span style=\"color: #0000ff;\">\u00a0<a style=\"color: #0000ff;\" href=\"https:\/\/editions-croquant.org\/actualite-politique-et-sociale\/710-resistances-africaines.html\">https:\/\/editions-croquant.org\/actualite-politique-et-sociale\/710-resistances-africaines.html<\/a><\/span><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong>A para\u00eetre<\/strong> <strong><em>Essai de m\u00e9thodologie de lecture-\u00e9criture<\/em><\/strong> (2 tomes) aux Presses universitaires des Antilles (nov 2024) <span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"file:\/\/\/C:\\Users\\Boudet\\Downloads\\Methodologie%20Tome%20I.pdf\">file:\/\/\/C:\/Users\/Boudet\/Downloads\/Methodologie%20Tome%20I.pdf<\/a> file:\/\/\/C:\/Users\/Boudet\/Downloads\/Methodologie%20Tome%20II.pdf<\/span><\/p>\r\n<h3><!-- \/wp:paragraph -->\r\n\r\n<!-- wp:separator --><\/h3>\r\n<h3 style=\"text-align: center;\"><span style=\"color: #0000ff;\"><strong>\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014- <\/strong><\/span><\/h3>\r\n<p><span style=\"color: #800000;\"><strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <span style=\"font-size: 14pt;\">\u00a0 \u00a0 \u00a0 \u00a0 Louise ESHER<\/span><\/strong><span style=\"font-size: 14pt;\"> et<strong> Jean SIBILLE<\/strong> (edd.) <strong>linguistes<\/strong><\/span><\/span><\/p>\r\n<!-- \/wp:separator -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong><em>Manuel de linguistique occitane<\/em>,<\/strong> Berlin\/New York, De Gruyter, 2024, 716 p. <span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/www.degruyter.com\/document\/doi\/10.1515\/9783110733433\/html#overview\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.degruyter.com\/document\/doi\/10.1515\/9783110733433\/html#overview<\/a> <a style=\"color: #0000ff;\" href=\"https:\/\/www.degruyter.com\/document\/doi\/10.1515\/9783110733433\/html?lang=de\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.degruyter.com\/document\/doi\/10.1515\/9783110733433\/html?lang=de<\/a><\/span><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<h3 style=\"text-align: center;\"><span style=\"color: #0000ff;\">\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014- <\/span><\/h3>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<h3><span style=\"color: #0000ff;\"><span style=\"color: #800000;\"><strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Eric FRAJ<\/strong> <\/span><strong><span style=\"color: #800000;\">auteur-compositeur et interpr\u00e8te, en occitan, catalan, espagnol et fran\u00e7ais<\/span><\/strong><\/span><\/h3>\r\n<h4><span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/ericfraj.com\/\">https:\/\/ericfraj.com\/<\/a> <\/span><br \/><span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/fr.wikipedia.org\/wiki\/%C3%89ric_Fraj\">https:\/\/fr.wikipedia.org\/wiki\/%C3%89ric_Fraj<\/a><\/span><\/h4>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong>Discographie<\/strong><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:list -->\r\n<ul class=\"wp-block-list\"><!-- wp:list-item -->\r\n<li><em><strong>Subrevida<\/strong><\/em>\u00a0(1978)<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><em><strong>Cantar\u00e9<\/strong><\/em><\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><em><strong>Transits<\/strong><\/em>\u00a0(1998)<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><em><strong>In Extremis<\/strong><\/em>\u00a0(1993, Nord-Sud\/Paratge)<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><em><strong>Aranca-me<\/strong><\/em>\u00a0(2002, Nord-Sud\/Paratge)<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><em><strong>Fat e Fols<\/strong><\/em>\u00a0(2010)<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><em><strong>Pep El Mal<\/strong><\/em>\u00a0(2014)<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><em><strong>Gao<\/strong><\/em>\u00a0(2020)<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><strong><em>La Vida<\/em>\u00a0<\/strong>(2022, Tr\u00f2ba Vox, album 3 CD, 50 titres)<\/li>\r\n<!-- \/wp:list-item --><\/ul>\r\n<!-- \/wp:list -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong>Publications<\/strong><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p>Auteur d&rsquo;un r\u00e9cit en occitan et en fran\u00e7ais, <strong><em>Liens<\/em>.<\/strong> Traducteur de l&rsquo;espagnol, du catalan et de l&rsquo;occitan. De romans de Robert Marty pour\u00a0<a href=\"https:\/\/fr.wikipedia.org\/w\/index.php?title=IEO_%C3%A9ditions&amp;action=edit&amp;redlink=1\">IEO \u00e9ditions<\/a>.<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:list -->\r\n<ul class=\"wp-block-list\"><!-- wp:list-item -->\r\n<li><em>Liens<\/em>\u00a0(bilingue occitan-fran\u00e7ais), 2005.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><em>Quel occitan pour demain?<\/em>\u00a0(bilingue occitan-fran\u00e7ais), \u00e9ditions Reclams, 2013.<\/li>\r\n<!-- \/wp:list-item --><\/ul>\r\n<!-- \/wp:list -->\r\n<p>&nbsp;<\/p>\r\n<h3 style=\"text-align: center;\"><span style=\"color: #0000ff;\"><strong>\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014- <\/strong><\/span><\/h3>\r\n<!-- wp:paragraph -->\r\n<h3><strong><span style=\"color: #800000;\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0GRIC DE PRAT <\/span><span style=\"color: #800000;\">conteur et auteur-compositeur<\/span><\/strong><\/h3>\r\n<h4><br \/><span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/gricdeprat.com\/\">https:\/\/gricdeprat.com\/<\/a><\/span><\/h4>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p>&#8211; Libres :<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong>&#8211; <em>Culture et musique populaire en Gascogne<\/em><\/strong>\u00a0(\u00e9dition\u00a0 Princi Negue)<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p>&#8211;<strong>\u00a0<\/strong><em><strong>Bord\u00e8u : Contes et musiques du Bordeaux gascon<\/strong>\u00a0<\/em>(\u00e9dition de l&rsquo;Entre-deux-mers) + CD<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p>&#8211;\u00a0<strong><em>Contes d&rsquo;un doman acabat<\/em><\/strong>\u00a0(\u00e9ditons Sud-Ouest)<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p>&#8211; En cours de r\u00e9daction :\u00a0<strong><em>Pourquoi et comment enseigner l&rsquo;Occitan<\/em><\/strong><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p>&#8211; 5 CD :<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p>&#8211;<strong><em>Suus camins de Garona <\/em><\/strong> &#8211;<strong><em> Viatge en Aquit\u00e0nia <\/em><\/strong> &#8211;<strong><em> Benl\u00e8u <\/em><\/strong> &#8211;<strong><em> Musiciens oubli\u00e9s des Pays d&rsquo;Oc <\/em><\/strong> &#8211; <strong><em> Aquit\u00e0nia<\/em>\u00a0<\/strong>(Auto-\u00e9dition).<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<h3 style=\"text-align: center;\"><span style=\"color: #0000ff;\"><strong>\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014-<\/strong><\/span><\/h3>\r\n<p>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<span style=\"color: #800000; font-family: verdana, geneva, sans-serif; font-size: 14pt;\"><strong>Roland GARRIGUES ancien d\u00e9put\u00e9-maire de Montauban<\/strong><\/span><\/p>\r\n<p><em><strong>Gigants\/G\u00e9ants<\/strong><\/em> (\u00e0 para\u00eetre)<\/p>\r\n<p>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <span style=\"color: #0000ff;\">\u00a0 \u00a0 \u00a0 &#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<\/span><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<h3><span style=\"color: #800000;\"><strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Paulina KAMAKINE<\/strong> <strong>po\u00e9tesse<\/strong><\/span><\/h3>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph \/-->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong><em>Paraulas de hemnas<\/em><\/strong>, Antologia de la poesia femenina occitana (Reclams)<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<h3 style=\"text-align: center;\"><span style=\"color: #0000ff;\"><strong>\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014- <\/strong><\/span><\/h3>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph \/-->\r\n\r\n<!-- wp:paragraph -->\r\n<h3><span style=\"color: #800000;\"><strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Georges LABOUYSSE historien<\/strong><\/span><\/h3>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p>Blog <strong><em>Occitania Infos<\/em><\/strong><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/occitaniainfo.wordpress.com\/category\/publications\/\">https:\/\/occitaniainfo.wordpress.com\/category\/publications\/<\/a><\/span><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong>Bio-bibliographie<\/strong> <span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/www.libraria-occitana.org\/oc\/auteur\/labouysse-georges-oc\/\">https:\/\/www.libraria-occitana.org\/oc\/auteur\/labouysse-georges-oc\/<\/a><\/span><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/www.babelio.com\/auteur\/Georges-Labouysse\/77626\">https:\/\/www.babelio.com\/auteur\/Georges-Labouysse\/77626<\/a><\/span><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:separator -->\r\n<p><span style=\"color: #800000;\"><strong><!-- \/wp:separator -->\r\n\r\n<!-- wp:paragraph --><\/strong><\/span><\/p>\r\n<h3><span style=\"color: #800000;\"><strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <span style=\"color: #0000ff;\">\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014-<\/span><\/strong><\/span><\/h3>\r\n<p>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <span style=\"color: #800000; font-size: 14pt;\"><strong>\u00a0 \u00a0 \u00a0 \u00a0Lauren\u00e7 REVEST linguiste et essayiste<\/strong><\/span><\/p>\r\n<h1><span style=\"font-size: 12pt;\"><em>Nissa e Occitania per Garibaldi, anthologie garibaldienne d&rsquo;oc, 1859-2008,<\/em> <strong><a href=\"https:\/\/ausautdulivre.fr\/editeur\/serre\/\">Serre \u00e9diteur, 2018.<\/a><br \/><\/strong>https:\/\/ausautdulivre.fr\/livre\/910833-nissa-e-occitania-per-garibaldi-anthologie-gar&#8211;laurenc-revest-serre-editeur<\/span><\/h1>\r\n<p><em><strong>De valaias en valaas <\/strong><\/em>, \u00a0illustration de <span style=\"color: #800000;\"><strong>H\u00e9l\u00e8ne GALLO, <\/strong><\/span>IEO edicions &#8211; IDECO, 2021.<br \/>https:\/\/www.espaci-occitan.com\/botiga\/fr\/contes\/2837-de-valaias-en-valaas-laurenc-revest-9782490663149.html<\/p>\r\n<p>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<span style=\"color: #0000ff;\"> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<\/span><\/p>\r\n<h3 style=\"text-align: center;\"><span style=\"color: #800000;\"><strong>Alan ROCH conteur, po\u00e8te, chroniqueur, traducteur<\/strong><\/span><\/h3>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/www.occitanielivre.fr\/annuaire\/roch-alan\">https:\/\/www.occitanielivre.fr\/annuaire\/roch-alan<\/a><\/span><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><em><strong>V\u00e8rses ortalans,<\/strong>\u00a0<\/em>\u00e9d. IEO\/Vend\u00e9mias, 2024 (po\u00e9sie)<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong><em>Manja e parla<\/em>,<\/strong> pr\u00e9face de Micheu Chapduelh, \u00e9d. IEO\/Vend\u00e9mias, 2022 (proverbes).<em>Dec\u00f2r, de c\u00f2r<\/em>, (participation) \u00e9d. Troba-Vox, 2022 (hommage)<em>Rob\u00e8rt Mart\u00ed, l&rsquo;\u00f2bra vida\u00a0<\/em>(participation), \u00e9d. IEO, 2022 (hommage)<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong><em>Alf\u00e0-bestiari<\/em>,<\/strong> \u00e9d. IEO\/Vend\u00e9mias, 2022 (po\u00e9sie)<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong><em>Mit-\u00d2c-logias,<\/em>\u00a0<\/strong>\u00e9d. IEO\/Vend\u00e9mias, 2022 (po\u00e9sie)<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong><em>Tot a l&rsquo;enc\u00f2p<\/em>,<\/strong> \u00e9d. Vend\u00e9mias, 2020 (chroniques)<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong><em>Jean de l&rsquo;Ours \/ Joan de l&rsquo;Ors<\/em>, <\/strong>2020, \u00e9d. du Cabard\u00e8s (jeunesse)<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong><em>La grana de la prima<\/em>,<\/strong> \u00e9d. Farfadet, 2019 (jeunesse)<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><em><strong>Lo XIII, aqu\u00f2 \u00f2c <\/strong>!<\/em>,collectif,\u00a0\u00e9d. Vend\u00e9mias, 2018 (sport)<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong><em>En pagina 3<\/em>, <\/strong>\u00e9d. Vend\u00e9mias, 2017 (chroniques)<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong><em>Lo rossinh\u00f2l arganh\u00f2<\/em>l, <\/strong>\u00e9d. Farfadet, 2015 (po\u00e9sie\/jeunesse)<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong><em>En 2800 signes<\/em>, <\/strong>\u00e9d. Vend\u00e9mias, 2015, (chroniques)<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong><em>La manrega de la tartuga\u00a0<\/em>,<\/strong> \u00e9d. ADEO 2012 (chroniques).<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong><em>L\u2019ipopotam mesopotamian<\/em>,<\/strong> \u00e9d. ADEO, 2011 (chroniques)<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong><em>Mots descrosats\u00a0<\/em>,<\/strong> \u00e9d. ADEO, 2010 (chroniques)<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong><em>L\u2019escaumi\u00e8r de la serena<\/em>, <\/strong>\u00e9d. Farfadet, 2009 (jeunesse)<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong><em>Lo serpentigraf<\/em>,<\/strong> \u00e9d. ADEO, 2008 (chroniques)<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong><em>Lo planh del tiron enraumassat<\/em>,<\/strong> \u00e9d. ADEO, 2007 (chroniques)<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong><em>Just per dire&#8230;\u00a0<\/em>,<\/strong> \u00e9d. ADEO, 2006 (chroniques)<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong><em>Lo libre de Breissalina<\/em>,<\/strong> \u00e9d. Farfadet, 2005 (jeunesse)<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong><em>Tot en \u00d2c<\/em>, collectif<\/strong>, \u00e9d. IEO, 2005 (dictionnaire)<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong><em>Lo libre de Picon\u00e8l l\u2019eiri\u00e7<\/em>,<\/strong> coauteur Joan-Jaume Delpotz, \u00e9d. Farfadet, 2004 (jeunesse)<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong><em>Una granda lampada de vin<\/em>,<\/strong> \u00e9d. ADEO, 2004 (chroniques)<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong><em>Patafl\u00f2sc<\/em>,<\/strong> \u00e9d. Farfadet, 2003 (jeunesse)<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong><em>Papier\u00f2ts romegaires<\/em>, <\/strong>\u00e9d. ADEO, 2003 (chroniques)<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong><em>13 coma rugb\u00ed<\/em>,<\/strong> collectif,\u00a0\u00e9d. IEO-Descob\u00e8rtas, 2000 (sport)<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong><em>Al solelh de las l\u00e8bres<\/em>, <\/strong>\u00e9d. Farfadet, 1999 (jeunesse)<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><em><strong>L<\/strong><\/em><strong><em>as patas del mila-patas<\/em>, <\/strong>\u00e9d. Farfadet, 1996 (jeunesse)<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong><em>Mai o mens<\/em>,<\/strong> \u00e9d. Farfadet, 1991 (jeunesse)<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong><em>Lenga de gat<\/em>, <\/strong>\u00e9d. Farfadet, 1991 (jeunesse)<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong><em>Lo Galapachamau alfazedic<\/em>,<\/strong> \u00e9d. Vend\u00e9mias, 1990 (po\u00e9sie)<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong><em>Las pendulas sens agulhas<\/em>, <\/strong>\u00e9d. Farfadet, 1989 (jeunesse)<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong><em>La p\u00e8l de l\u2019ors<\/em>,<\/strong> \u00e9d. Vend\u00e9mias, 1985 (r\u00e9cit)<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong><em>E las galinas aur\u00e0n de dents<\/em>,<\/strong> \u00e9d. Vend\u00e9mias, 1980 (r\u00e9cit)<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong><em>Lo v\u00e8rme dins la frucha<\/em>,<\/strong> \u00e9d. Viure a l\u2019Esc\u00f2la, 1978 (r\u00e9ci\/po\u00e9sie)<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong>Traductions :<\/strong><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong><em>Histoires sal\u00e9es du Moyen-age<\/em>, <\/strong>co-traduit de l\u2019occitan avec Marie Cailly et Jean-Louis Marteil, \u00e9d. La Louve, 2008 (chroniques).<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong>Traductions en occitan :<\/strong><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><em><strong>Ieu, Joan Pigassa, obri\u00e8r del Canal,<\/strong>\u00a0<\/em>de Mich\u00e8le Teysseyre,\u00a0\u00e9d. Vend\u00e9mias, 2019 (roman)<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong><em>Ari\u00e8ge, il \u00e9tait une fois<\/em>, <\/strong>de Gilles\u00a0Dedieu, \u00e9d. TDO (2017)<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong><em>La l\u00e9gende de l&rsquo;\u00e9tang de Capestang<\/em>, <\/strong>de Christian Sal\u00e8s, \u00e9d. \u00d2C (2016)<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong><em>Julon sul Canal de Riquet<\/em>, <\/strong>amb R. Mart\u00ed, <span style=\"color: #800000;\">(Higard,<\/span> Lemonnier, Pertuz\u00e9), \u00e9d. IEO, 2006 (jeunesse)<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong><em>Barbun\u00f2gre<\/em>, <\/strong>de l\u2019\u00e9cole de Roullens, \u00e9d. Farfadet, 2001 (roman)<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong><em>L\u2019u\u00e8lh del lop<\/em>, <\/strong>de Daniel Pennac \u00e9d. IEO-Bib\u2019\u00d2c, 1997 (roman)<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong><em>Sus las ribas del Mississip\u00ed<\/em>, <\/strong>de Robert Desn\u00f2s, \u00e9d. Farfadet, 1993 (po\u00e9sie)<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<h3 style=\"text-align: center;\"><span style=\"color: #0000ff;\"><strong>\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014- <\/strong><\/span><\/h3>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:table \/-->\r\n\r\n<!-- wp:paragraph -->\r\n<h3><strong><span style=\"color: #800000;\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Claude SICRE compositeur et chanteur, ethnomusicologue<\/span><\/strong><\/h3>\r\n<p><strong><br \/><\/strong>\u00a0<span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/fr.wikipedia.org\/wiki\/Claude_Sicre\">https:\/\/fr.wikipedia.org\/wiki\/Claude_Sicre<\/a><\/span><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:list -->\r\n<ul class=\"wp-block-list\"><!-- wp:list-item -->\r\n<li><strong><em>Fr\u00e8res de la vertu\u00a0: doux et humbles de c\u0153ur<\/em>, <\/strong>avec\u00a0<a href=\"https:\/\/fr.wikipedia.org\/wiki\/Bartolom%C3%A9_Bennassar\">Bartolom\u00e9 Bennassar<\/a>, \u00e9ditions Cepadues, coll. \u00ab\u00a0Clin d&rsquo;\u0153il\u00a0\u00bb, Toulouse, 1978<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><strong><em>Les Danses dans la tradition populaire du Lauragais, 1890-1950<\/em>, <\/strong>avec Xavier Vidal, Conservatoire occitan des arts et traditions populaires, 1983<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><strong><em>Carnaval \u00e0 Toulouse<\/em>, <\/strong>\u00e9ditions Loubati\u00e8res, Toulouse, 1984<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><strong><em>Un adieu \u00e0 la chair<\/em>,<\/strong> \u00e9ditions Institut d&rsquo;estudis occitans, 1987<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><strong><em>Vive l&rsquo;Am\u00e9ricke\u00a0!, blue paysans, jeux po\u00e9tiques primitifs et chants \u00e9lectroniques du sud languedocien<\/em>, <\/strong>pr\u00e9f.\u00a0<a href=\"https:\/\/fr.wikipedia.org\/wiki\/Th%C3%A9odore_Zeldin\">Th\u00e9odore Zeldin<\/a>, \u00e9ditions Publisud, coll. \u00ab\u00a0Les Pierres du temps\u00a0\u00bb, Montauban, 1988<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><strong><em>High Ten\u00e7on<\/em>, <\/strong>\u00e9ditions Syllepse, 2000<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><strong><em>Notre Occitanie<\/em>\u00a0<\/strong>avec\u00a0<a href=\"https:\/\/fr.wikipedia.org\/wiki\/Herv%C3%A9_Di_Rosa\">Herv\u00e9 Di Rosa<\/a>, \u00e9ditions Anagraphis, 2020<\/li>\r\n<!-- \/wp:list-item --><\/ul>\r\n<h3 style=\"text-align: center;\"><span style=\"color: #0000ff;\"><strong>\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014<\/strong><\/span><\/h3>\r\n<h1><span style=\"font-size: 12pt;\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<span style=\"font-size: 14pt;\"> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <span style=\"color: #800000;\">Miqu\u00e8la STENTA essayiste<\/span><\/span><\/span><\/h1>\r\n<h1><span style=\"font-size: 12pt;\"><em>Marcelle Delpastre \u00e0 fleur de l&rsquo;\u00e2me<\/em> (\u00c9ditions Vent Terral, 2018)<\/span><\/h1>\r\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<span style=\"color: #0000ff;\">\u00a0 <a style=\"color: #0000ff;\" href=\"https:\/\/www.espaci-occitan.com\/botiga\/fr\/histoire-etudes\/1432-marcelle-delpastre-a-fleur-de-l-ame-miquela-stenta-9782859271183.html\">https:\/\/www.espaci-occitan.com\/botiga\/fr\/histoire-etudes\/1432-marcelle-delpastre-a-fleur-de-l-ame-miquela-stenta-9782859271183.html<\/a><\/span><\/p>\r\n<h1><span style=\"font-size: 12pt;\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<span style=\"color: #0000ff;\"> &#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<\/span><\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<span style=\"color: #0000ff;\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/span><\/h1>\r\n<!-- \/wp:list -->\r\n\r\n<!-- wp:paragraph -->\r\n<h3><span style=\"color: #800000;\"><strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Alem SURRE GARCIA<\/strong> <strong>po\u00e8te, essayiste, librettiste<\/strong><\/span><\/h3>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/data.bnf.fr\/fr\/11925779\/alem_surre-garcia\">https:\/\/data.bnf.fr\/fr\/11925779\/alem_surre-garcia<\/a><\/span><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/www.editions-harmattan.fr\/index.asp?navig=auteurs&amp;obj=artiste&amp;no=18962\">https:\/\/www.editions-harmattan.fr\/index.asp?navig=auteurs&amp;obj=artiste&amp;no=18962<\/a><\/span><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p>N\u00e9 \u00e0 Carbonne en 1944. Charg\u00e9 de culture occitane aupr\u00e8s du Conseil R\u00e9gional Midi-Pyr\u00e9n\u00e9es de 1989 \u00e0 2006. Pr\u00e9sident de l\u2019Institut Occitania-Al Andalus (2007-2008),\u00a0 chef de projet \u00e0 la Fondacion Occitania (2008-2013).<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong>Traducteur<\/strong> de la litt\u00e9rature occitane en fran\u00e7ais\u00a0: (Glaudi Bru\u00e8is XVII\u00b0, Max Rouquette, Bernard Manciet, Jean Boudou.<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong>Ecrivain <\/strong>\u00a0: \u00a0<em><strong>Antonio Vidal<\/strong>\u00a0<\/em>, 1984\/\u00a0 \u00a0<em><strong>Lo libre del doble despartible<\/strong>\u00a0,<\/em> 1997, Prix Antigone 1998, \u00a0<em><strong>Man Trobat\u00a0<\/strong><\/em>,\u00a02014.<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong>Po\u00e8te<\/strong>\u00a0: <strong>\u00a0<em>Igas\/Gouffres<\/em><\/strong>\u00a0 2017,<strong> \u00a0<em>Sabar, lo libre dels m\u00f2rts pirenencs\/Le livre des morts pyr\u00e9n\u00e9ens<\/em><\/strong><em>\u00a0<\/em> 2017, \u00a0<em><strong>L\u2019\u00f2rt de la frucha inagotabla\/Le jardin aux fruits in\u00e9puisables<\/strong><\/em> 2019, \u00a0<em><strong>Lo miralh dels idolatras\/Le miroir des idol\u00e2tres\u00a0<\/strong><\/em>, 2020<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong>Librettiste<\/strong>\u00a0: <strong>\u00a0<em>Contra suberna,<\/em><\/strong> Halle aux Grains-Toulouse 1998<em>,<strong> Milgrana Clausa,<\/strong> <\/em>Cit\u00e9 de la Musique, Paris 2004, <strong><em>La Passion de Rumi,<\/em> <\/strong>Institut du monde arabe-Paris 2007, <em><strong>Le roman de Jaufre,\u00a0<\/strong> <\/em>Auditorium St Pierre des Cuisines-Toulouse 2016\/Cour de la Madeleine, Narbonne 2018\/Capitole de Toulouse juin 2020<em>.<\/em><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong>Auteur dramatique<\/strong>\u00a0: <strong><em>Astrada<\/em>, <\/strong>Th\u00e9\u00e2tre du Peuple-Millau, 1996.<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong>Essayiste<\/strong>\u00a0: <em><strong>Le Baroque occitan<\/strong><\/em> 1997, <strong><em>Au-del\u00e0 des rives, les Orients d\u2019Occitanie<\/em> <\/strong><em>2005, <strong>La Th\u00e9ocratie r\u00e9publicaine<\/strong> 2010,<\/em> <em><strong>Clochers et minarets<\/strong><\/em> <em>2011, <strong>Escritura cofica en Occitania<\/strong> 2019, <strong>La Convivencia,<\/strong> 2023<\/em><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong>Conf\u00e9rencier\u00a0<\/strong>: cette ann\u00e9e 2020, sera f\u00eat\u00e9e la milli\u00e8me intervention publique (sur 20 ans) sur le th\u00e8me des<em> Orients d\u2019Occitanie. <\/em>Parmi les conf\u00e9rences-diaporamas<em>\u00a0: Art gotic\/art mud\u00e9jar, La N\u00f2via del moro\/La fianc\u00e9e du Maure, de l\u2019Indus als Piren\u00e8us-lo viatge de la faula\/De l\u2019Indus aux Pyr\u00e9n\u00e9es-le voyage de la fable, Conviv\u00e9ncia, Les Goths-une migration artistique, S\u00e9farades en Occitanie, Migrations transpyr\u00e9n\u00e9ennes, Tolosa-Corassan (Perse), Jardins persans-jardins d\u2019Occitanie, Le Midi-antichambre des Orients, Occit\u00e0nia-Tibet&#8230;<\/em><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong>Organisateur d\u2019\u00e9v\u00e8nements culturels\u00a0<\/strong>: <em>Flor Enversa<\/em>, label UNESCO, 1990-1992, <em>Seradas interculturalas occitanas, <\/em>1990 \u00e0 2020,<em> Caf\u00e9s Trobar <\/em>\u00e0 l\u2019Ostal d\u2019Occit\u00e0nia, 2012-2013. Exposition sur les <em>po\u00e8tesses arabo-andalouses et occitanes, 2<\/em>003-2004, exposition <em>Art gotic-art mud\u00e9jar<\/em>, 2011<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong>Plasticien (collages) <\/strong>\u00ab\u00a0<em>Trencadis 1<\/em>\u00a0\u00bb (ann\u00e9es 1972-1976)\u00a0, \u00ab\u00a0<em>Trencadis 2\u00a0<\/em>\u00bb (ann\u00e9es 1972-1976), \u00ab\u00a0<em>Trencadis 3<\/em>\u00a0\u00bb (ann\u00e9es 1977-2017)<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong>Activit\u00e9s \u00e9ditoriales et journalistiques<\/strong>\u00a0: revue <em>Forabanda<\/em> (1974-76), revue <em>Talv\u00e8ra<\/em> (1978-1982), revue <em>Lo revelh d\u2019Oc<\/em> (1985-1987), revue <em>Cit\u00e9s latines<\/em> (1988), livrets <em>Fondacion Occit\u00e0nia<\/em> (2011-2016), gazeta <em>Jornalet <\/em>(2012-2018), livrets <em>ASG<\/em> ( depuis 2016) <strong>Activit\u00e9s audiovisuelles\u00a0<\/strong>: documentaire FR3Aquitaine sur Bernard Manciet \u00ab\u00a0Lo Taure blanc-jo\u00a0\u00bb, 2003. Documentaire FR3 Sud \u00ab\u00a0Donas\u00a0\u00bb, 2004. Documentaire FR3 Sud sur \u00ab\u00a0Joan Bodon\u00a0\u00bb, 2005. R\u00f4le principal du film \u00ab\u00a0Le Paradoxe du tr\u00e9sor\u00a0\u00bb de Claude Ha\u00efm, RT belge et FR3. Co-sc\u00e9nariste et r\u00f4le principal du film \u00ab\u00a0Mosa\u00efca\u00a0\u00bb de Michel Gayraud, FR3 Midi-Pyr\u00e9n\u00e9es, 2009<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong>Prix obtenus<\/strong><em>\u00a0: <\/em>Prix Olivier de Serres, 1980, pour la traduction <em><strong>\u00ab\u00a0Vert Paradis\u00a0<\/strong>\u00bb <\/em>de Max Rouquette. Label UNESCO pour l\u2019op\u00e9ration culturelle \u00ab\u00a0Flor Enversa\u00a0\u00bb, 1990. Prix de l\u2019Acad\u00e9mie des Jeux Floraux et Prix de l\u2019Acad\u00e9mie du Languedoc, 1997, pour<em> <strong>Le Baroque occitan<\/strong>. <\/em>Prix Antigone, Montpellier 1998, pour<em> <strong>Lo libre del doble despartible<\/strong><\/em><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<h3 style=\"text-align: center;\"><span style=\"color: #0000ff;\"><strong>\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014- <\/strong><\/span><\/h3>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<h3><span style=\"color: #800000;\"><strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0G\u00e9rard TAUTIL<\/strong> <strong>essayiste<\/strong><\/span><\/h3>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong>Bio-bibliographie<br \/><\/strong> <span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/www.editions-harmattan.fr\/index.asp?navig=auteurs&amp;obj=artiste&amp;no=32226\">https:\/\/www.editions-harmattan.fr\/index.asp?navig=auteurs&amp;obj=artiste&amp;no=32226<\/a><\/span><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong>Essais<\/strong><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong>&#8211; <em>Chemins d&rsquo;Occitanie, 1974 -2000- Politique occitane<\/em><\/strong>. Sous la direction de G. Tautil (fr\/oc). 302 p.\u00a0 D\u00e9cembre 1997 \u2013 Editions L&rsquo;Harmattan<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p>&#8211;\u00a0 In <em><strong>Occit\u00e0nia f\u00e0cia al cambiament. D&rsquo;una Eur\u00f2pa en bastison a l&rsquo;autonomia occitana<\/strong><\/em> (oc\/fr). (Sous la direction de G.Tautil) &#8211; Gustave Alirol, Philippe Carbonne, Robert Lafont, G\u00e9rard Tautil.- <em>Per un occitanisme mod\u00e8rne<\/em>. A.D.E.O. 2001<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p>&#8211; In <em><strong>Entre dos millenaris<\/strong>.<\/em>Sous la direction de Cl. Molinier : <strong><em>Lo pensament de politica<\/em>. <\/strong>(oc)\u00a0 IDECO Editions. 2009<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong> Tautil G\u00e9rard. <\/strong><em><strong>Robert LAFONT et l&rsquo;occitanisme politique. <\/strong><\/em>F\u00e9d\u00e9rop, 2011 (fr\/oc)<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p>&#8211; In <em><strong>Poussi\u00e8res du monde<\/strong>. T1. Les gens sont des romans. Estrangier-Forastier- (sur le th\u00e8me de l&rsquo;\u00e9tranger &#8211; retour de Catalogne<\/em>). (fr). Editions Fran\u00e7ois Bourin. 2014<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p>&#8211;<strong> <em>Toponymie de Signes.Un territoire et des hommes. Le tr\u00e9sor des noms de lieux d&rsquo;un village provencal.<\/em> <\/strong>Editions CREO-Provence et IEO Var. mars 2015<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong>&#8211; <em>Psic\u00f2si au Palais.<\/em> <em>Cronicas dins l&rsquo;ascla dau temps<\/em><\/strong> (oc).\u00a0 Plus de 60 chroniques (Lo Cebier) sur l&rsquo;actualit\u00e9 soci\u00e9tale, sociale, culturelle, politique en Provence et en Occitanie. &#8211; IDECO &#8211; IEO. 180 p. Mars 2016 &#8211; Collection Ensages, N\u00b012.<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p>&#8211; <strong><em>Le roman national fran\u00e7ais au d\u00e9fi de l\u2019extr\u00eame droite.<\/em> <\/strong>Editions L\u2019Harmattan. Collection <em>Questions contemporaines<\/em>. 2017<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong>&#8211; <em>Toponymie c\u00e9venole.<\/em> <em>Ventalon-en-C\u00e9vennes.<\/em> <\/strong>140 p. A.D.OC 48 &#8211; Mende. Juin 2019<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p>&#8211; Contribution \u00e0 la toponymie c\u00e9venole. Congr\u00e8s international \u2026 Mende. 2019<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong>&#8211; <em>Dictionnaire des noms de lieux de l\u2019Est\u00e9rel, \u00e0 l\u2019usage des Proven\u00e7aux d\u2019aujourd\u2019hui<\/em><\/strong> (fr). L\u2019Harmattan. Collection <em>Nomino ergo sum<\/em>. 2021<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p>&#8211; <strong><em>CONTRAT\u00c8MPS.<\/em> <em>Letras sus l\u2019Occitania e l\u2019occitanisme<\/em><\/strong> (\u00f2c) IEO edicions, colleccion asatge. Nov. 2022<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong>&#8211; <em>CONTRETEMPS.<\/em> <em>Lettres sur l\u2019Occitanie et l\u2019occitanisme<\/em> <\/strong>(fr). Presse f\u00e9d\u00e9raliste. Collection \u00ab\u00a0Minorit\u00e9s nationales\u00a0\u00bb. Juillet 2023<br \/><br \/><strong><em>&#8211; Par les rues et les chemins de SIGNES<\/em>. <em>Petite g\u00e9ographie cordiale d\u2019un village proven\u00e7al<\/em><\/strong> (rues, chemins, quartiers, syst\u00e8me hydraulique). Janvier 2025<i><br \/><\/i>\u00a0 <span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/ericdussart.blog\/2024\/12\/16\/par-les-rues-et-chemins-de-signes-un-nouveau-livre-de-gerard-tautil\/\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/ericdussart.blog\/2024\/12\/16\/par-les-rues-et-chemins-de-signes-un-nouveau-livre-de-gerard-tautil\/&amp;source=gmail&amp;ust=1735581287984000&amp;usg=AOvVaw0ESoghC42UNZc7KoVOLSCF\">https:\/\/ericdussart.blog\/<wbr \/>2024\/12\/16\/par-les-rues-et-<wbr \/>chemins-de-signes-un-nouveau-<wbr \/>livre-de-gerard-tautil\/<\/a><\/span><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong><em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/em>\u00a0En cours\u00a0\u00a0\u00a0\u00a0\u00a0<em>\u00a0 \u00a0 \u00a0 \u00a0 <\/em><\/strong><\/p>\r\n<p><strong><em>&#8211; ABCdari de l\u2019embolh franco-occitan<\/em> (<\/strong>recuelh de t\u00e8xts publicats e d\u2019inedichs). (oc)<\/p>\r\n<p>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<\/p>\r\n<p>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <span style=\"color: #800000; font-size: 14pt;\">\u00a0 \u00a0\u00a0<strong> \u00a0 \u00a0Josiana UBAUD\u00a0 \u00a0lexicographe, essayiste<\/strong><\/span><\/p>\r\n<p><em><strong>Escrichs sus dei femnas, Escrichs de femnas<\/strong><\/em>, IEO Lengad\u00f2c, 2012.<br \/>https:\/\/www.espaci-occitan.com\/botiga\/fr\/litterature\/449-escrichs-sus-lei-femnas-escrichs-de-femnas-josiana-ubaud-9782859105068.html<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>&nbsp; \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Claude ALRANQ dramaturge, metteur en sc\u00e8ne, com\u00e9dien\u00a0 https:\/\/fr.wikipedia.org\/wiki\/Claude_Alranq Une quarantaine de pi\u00e8ces de th\u00e9\u00e2tre publi\u00e9es aux Nouvelles \u00c9ditions Oswald,\u00a0Actes Sud, Quatre Vertats, Avant-Quart Th\u00e9\u00e2tre All\u00e9luia Mill\u00e9nium (1999) H\u00f4tel Montmorency (1993) Jaur\u00e8s (1995) Joan l&rsquo;an pr\u00e8s (1987) Jouerie du Pays d&rsquo;Adiu.siatz [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":79,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"0","ocean_second_sidebar":"0","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"0","ocean_custom_header_template":"0","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"0","ocean_menu_typo_font_family":"0","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"0","footnotes":""},"class_list":["post-282","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/avenir-occitanisme.org\/index.php\/wp-json\/wp\/v2\/pages\/282","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/avenir-occitanisme.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/avenir-occitanisme.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/avenir-occitanisme.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/avenir-occitanisme.org\/index.php\/wp-json\/wp\/v2\/comments?post=282"}],"version-history":[{"count":34,"href":"https:\/\/avenir-occitanisme.org\/index.php\/wp-json\/wp\/v2\/pages\/282\/revisions"}],"predecessor-version":[{"id":447,"href":"https:\/\/avenir-occitanisme.org\/index.php\/wp-json\/wp\/v2\/pages\/282\/revisions\/447"}],"up":[{"embeddable":true,"href":"https:\/\/avenir-occitanisme.org\/index.php\/wp-json\/wp\/v2\/pages\/79"}],"wp:attachment":[{"href":"https:\/\/avenir-occitanisme.org\/index.php\/wp-json\/wp\/v2\/media?parent=282"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}